Multimedia aspect of your
blog.
• We began with a discussion of "what is
multimedia?"
• Incorporating aspects of your mobile phone when
responding to a moment of the chorus.
• Exploring what "Live feed" is and how can it
be incorporated.
• Garage band - what is it and how can it be
incorporated?
Exploring the Promenade
aspect of Antigone.
• Responding to your site and how it can be used within
your section. Sound/ Visuals...etc.
• Consideration of how multimedia might be used within
your piece.
• Considering your site and how it dictates what you
can/ can't use.
Exploring chorus.
• Responding to the ensemble demands of a chorus.
• Remaining disciplined, focused and committed.
• Incorporating multimedia in the chorus - lights and
pre-recorded voices.
• Learning lines - reflect on challenges and how you
will go about learning. The importance of speaking exactly what is written.
Evaluation of the performance:
- List all of the multimedia used in the performance.
- How did multimedia enhance the overall performance?
- What impact do you think it had on the audience and why?
- Would the performance have been as effective without the multimedia?
- Which moment of multimedia was most effective and why?
Cut and paste the grid below onto your blogs. Complete the final column:
Scenes from
Antigone:
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Multimedia used and locations
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1. Creon announces that Eteocles will be honoured and
Polynices will be shamed and left un-buried.
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Video to be shown on screen in reception.
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2. Antigone goes to Ismene to persuade her to assist the
burial of their brother. Ismene refuses.
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By the tree - video shown of the thoughts of the characters.
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3. Antigone goes to bury her brother.
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Round of wooden stumps.
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4. Creon looks for the support of the chorus of Theban
Elders in his decision to leave
Polynices unburied.
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Creon announces from fire escape door of 415 - chorus
round the tree looking up. Audience looking up also.
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5. A Sentry reports the burial of Polynices. Creon
insists that the Sentry finds out who or face death.
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Filmed footage of event is shown on screen top of
stairs. Sentry talking to Creon.
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6. Chorus sing about honouring gods.
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From the yard up to windows of 413
Recorded chorus played.
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7. Sentry returns with the Culprit: Antigone. Creon
confronts her.
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Burst into 413 - audience turn to see.
Lighting used.
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8. Creon confronts Ismene. Ismene tries to confess but
Antigone won't allow it. And in the end, the two sisters are imprisoned.
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Still in 413 but Creon live speaks to a projected
Ismene. Antigone is walked out the room and joins the real Ismene - escorted
off.
Lighting used
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9. Haemon both pledges allegiance to his father, Creon,
and asks that Antigone be spared. After the discussion deteriorate, Haemon
storms out vowing never to speak to him again.
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Traverse in 413 - iphone lights as the two talk.
Throughout confrontation, lights go out, one by one.
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10. Creon choses to spare Ismene, and to bury Antigone
alive. As she is dragged out, the chorus express their Sorrow.
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One light left on Creon's face. Sound of s body being
dragged...etc.
Projection and video used
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11. Tiresias attempts to advise Creon that what he is
doing is wrong and that the Gods are angry. The prophecy of a dead son is
mentioned.
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Tiresias never moves his mouth but what he says coupled
with weird underscore is played through speakers of 415.
Projected video played
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12. The chorus, terrified, begs him to take Tiresias'
advice. Shaken, Creon agrees to release Antigone and bury Polynices.
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As many chorus as possible fill cavities of 415 and urge
Creon. Three doors and side grated window thing.
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13. Chorus deliver a choral ode to the god Dionysus.
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14. Messenger informs Eurydice of Haemon and Antigone's
death.
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Filmed footage on repeat of Haemon stabbing himself and
Antigone hanging, swinging from a branch.
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15. Carrying the body of his dead son Haemon, Creon is
then met by a 2nd messenger informing him of Eurydice's death.
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Audience back outside looking at tree. Creon walking
through the courtyard, holding Creon, confronted by messenger at the tree.
Chorus look down from 415.
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